rokinon

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Micro Four Thirds Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens,the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 14.4° angle-of-view when used with Micro Four Thirds sensor cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "Declicked" aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.

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Overcoming the challenges in assembling a set of lenses over time the Rokinon 14mm T3.1 Cine DS Lens for Canon EF Mount covers full-frame sensors and features a multi-layer coating process for consistent color rendition from lens to lens. It features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses. This 14mm lens produces a 115.7°, ultra-wide angle-of-view when used with a full-frame sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11" from the lens.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

14mm lens with approximately 115.7° angle-of-view on full-frame cameras.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are matched to a color standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 11" allows you to get up close to your subject.

A built-in petal-type lens hood provides flare protection without a matte box.

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Rokinon 8mm f/3.5 HD Fisheye Overview

The Sony E- mount 8mm f/3.5 UMC Fisheye CS II Lens is a prime fisheye lens designed for APS-C sized image sensors. Providing a 35mm-equivalent focal length of 12mm and a 180° angle of view, this lens is well-suited for creative applications as well as interior and architectural subjects.

One hybrid aspherical element has been incorporated into the optical design to minimize chromatic aberrations and distortion in order to produce sharper images. Additionally, the lens' design features a built-in lens hood and a UMC coating has been applied to the lens elements to reduce surface reflections and prevent lens flare and ghosting for improved light transmission and more contrast-rich imagery.

180° rectilinear fisheye lens provides a 35mm-equivalent focal length of 12mm, making it ideally suited for interior and architectural subjects.

One hybrid aspherical element reduces chromatic aberrations and distortions in order to produce sharper images. UMC coating improves light transmission and suppresses lens flare and ghosting for more contrast-rich, color-neutral images. Removable lens hood also helps to reduce lens flare and surface reflections.

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Rokinon's Xeen16mm T2.6 Lens with PL Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, this minimizes the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and color match to a factory standard, allowing you to assemble a set over time with minimal color shift. This 16mm lens provides what is considered a very wide angle of view on full-frame cameras, and a correspondingly tighter angle of view on smaller-format cameras.

The lens features dual sided focus scales marked in feet, with dual sided iris scales. The 11-bladed iris provides a rounded aperture for a natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision when adjusting focus. The lens mount can be shimmed, and additional mounts (available separately) may be used with the lens.

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Rokinon XEEN Support Mount Kit for Micro 4/3 Learn More

Rokinon 8mm f/3.5 Fisheye Overview The 8mm f/3.5 Fisheye Lens for Canon EF from Rokinon gives you a 167° view with dramatic, exaggerated perspective when used with an APS-C camera, or a circular image floating in the frame when used with a full frame digital camera or 35mm film camera. With hybrid aspherical lenses and multi-layer coating, you will produce sharply defined images with a minimum of flare and ghosting. The 8mm manual focus lens focuses as close as 1' (30.48 cm) from the lens, and has a built-in petal lens hood.

Note:

Produces a vignetted image on full-frame sensors or 35mm film

Ultra wide-angle 8mm fisheye lens with exaggerated perspective and approximately 180° angle of view, for dramatic effects

Ultra-wide 167° diagonal field-of-view for APS-C size image formats--will produce a rounded image that doesn't cover the entire frame when used with compatible full frame digital cameras

Manual focus lens with no electronic connections to the camera for automatic focus nor metering.

Lens is constructed with hybrid aspherical lenses for outstanding, sharply defined images

Lens features super multi-layer coating to reduce flare and ghost images

Lens has a minimum focusing distance of 12" (30.48 cm) for enhanced close-up shots

Lens includes a built-in petal-type lens hood

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Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Sony E-Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 28.3° angle-of-view when used with full-frame sensor cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "Declicked" aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.

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Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Micro Four Thirds Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 47.6° FOV when used with micro four thirds cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm lens with approximate angle of view of:

MFT: 47.6°

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation. Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

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Rokinon's Xeen 135mm T2.2 Lens with Canon EF Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Rokinon Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh.

The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.

This is a 135mm lens that has an image circle that covers a full-frame sensor. It has the effect of bringing the background closer, and it is often used for close-ups and long shots, where you want a compressed feel and out of focus background.

The lens features metal construction to withstand the rigors of daily production, and comes with a support foot that can help take strain off your camera's lens port.

Dual calibrated right and left side focus and T-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens.

Each lens in the Xeen series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. The lenses in the Xeen series also share focus and iris rotation, with focus having 200° of rotation and iris having 40° of rotation.

The common 114mm front diameter between lenses in the series allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.

Clickless aperture ring for smooth iris pulls.

A minimum focusing distance of 2.6' allows you to get up close to your subject.

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