Pro Camcorder Lenses & Accessories

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 135mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Sony E-Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 135mm lens produces an 18.8° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 2.6' from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 77mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "Declicked" aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T2.2, providing the capability for low light shooting or creating extremely shallow depth of field.

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Key Features Adapts Lenses with B4 Mount Mounts on Sony E Mount Maintains Infinity Focus on Lens Brass & Stainless Steel Construction For Lenses with Manual Iris and Focus Allows TTL Metering Learn More

• 16mm Lens Covers Full-Frame Sensors
• Suitable for 6K Image Capture
• Internal Focus Design
• Additional Mounts Available
• Multi-Coating for Color Consistency
• Dual Side Focus and T-Stop Scales
• Cinema Gearing for Focus and Iris
• 200° Focus Rotation
• 114mm Front Diameter

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Rokinon XNCASE-CO Overview

Store, transport, and protect your XEEN lenses from dirt, dust, moderate impact, and moisture with the black Rokinon XEEN 6-Lens Carry-On Case. Designed to hold your XEEN lenses, the case features custom-cut foam and soft-touch double-throw latches. Rated at IP67, the case is watertight and dustproof, and it is suitable for airline travel. The pre-cut foam holds your lenses, and the case ships to you with three cutout foam disks per each lens cavity, which allows you to customize each lens space to the depth you require. This also allows you to set the case up to store your lenses, either faceup or facedown.

An integrated O-ring seal in the lid and an automatic purge valve protect your lenses and allow the case to depressurize automatically, so you can open it after air travel. Each cavity has two finger notches to safely and easily insert and remove your lenses. The case has two reinforced holes to accommodate padlocks. Other design features include lid stays and durable stainless steel hardware. The case is made of lightweight but tough polymer resin that's UV, solvent, corrosion, fungus, and impact resistant. The integrated auto-retracting pull handle and polyurethane wheels make it easy to roll this case along flat surfaces, or you can use the folding handgrip to carry the case briefcase-style.

Soft-touch latching system

Metal reinforced padlock holes

Rubber-cushioned front handle

Premium high-density foam with protective top overlay

Removable foam discs for longer lenses

Lid stay prevents accidental closure

Automatic pressure equalization valve

Waterproof, crushproof, and lightweight

Complies with FAA carry-on regulations

Auto-retracting rubber cushioned top handle

Stainless steel hardware and durable polyurethane wheels

UV-, solvent-, corrosion-, and fungus-resistant polymer resin

Pull handle with thumb release for one-handed extension and retraction

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The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

Standard length manual focus prime lens for EF mount cameras.

Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.

Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.

Internal focusing system with 9 lens elements in 6 groups.

One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.

Lens multi-coating improves light transmission and reduces flare and ghosting.

Minimum focus distance of 1.5' Filter thread diameter of 77mm

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Atomos Full HDMI to Full HDMI Overview The 11.8 to 17.7" HDMI Coiled Cable from Atomos is coiled to prevent clutter, but it can extend up to 17.7". Learn More

Key Features Fits 2/3" B4 Lenses to MFT Cameras Brass Construction Learn More

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Sony E-Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 28.3° angle-of-view when used with full-frame sensor cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "Declicked" aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.

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Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Rokinon 16mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 16mm lens produces a 79.5° angle-of-view when used with a camera with an APS-C sized sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and it features a minimum focus distance of 7.9"' from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, and the lens's threaded front accepts 77mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories, such as follow focus units or iris motors, don't have to be re-positioned. The lens features an internal focus mechanism, so the front of the lens doesn't rotate when changing focus, allowing you to use filters and clip-on matte boxes without vignetting as you change (pull) focus.

The lens features an 8 bladed iris that provides round out of focus highlights and a natural looking Bokeh. The declicked aperture ring allows for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T2.2, providing the capability for low light shooting or creating shallow depth of field.

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