ADMC Pro Video ADMC

Sony HVL-LBPC LED Battery Video Light

The Sony HVL-LBPC LED Battery Video Light is a high-brightness bicolor on-camera light designed to provide a wide spread for wide-angle shooting. It provides an even intensity across the entire spread. It offers up to an 1800 lux brightness at 3.3' with low power consumption. You can further increase the brightness to 2100 lux at 3.3' by setting the Booster switch to "on", but this will be at a higher power consumption. Color temperature is adjustable between 3200 and 5600K via a dial on the side. The light features built-in barndoors, a flip-down diffuser, and a condenser lens. It has an L-series battery plate and includes a BP-series battery plate adapter. Batteries are sold separately. An NP-F970 L-series battery provides approximately three hours of runtime. The runtime can be prolonged in Standby mode, which has a power consumption of only 0.1W or less. This light features the proprietary Sony Multi-Interface shoe. When it's mounted directly on Multi-Interface shoe mounts available on cameras such as the Sony NXCAM and XDCAM camcorders, it can be set up to power on/off when the camera is powered on/off or when recording is set to start/stop. Either option can be assigned in the camera settings. A standard shoe mount adapter is also included for attaching the light to standard camera shoe mounts. A mini desktop stand is also supplied for off-camera use. Learn More

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Anton Bauer Dionic 240Wh 26V Gold Mount Plus Battery

240Wh Lithium-Ion Battery
Secure Gold Mount Plus Interface
Supports up to 12A Constant Draw
Integrated LCD Display
Displays Runtime down to Minutes
Durable Build
Withstands Wide Temperature Range

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SmallRig DSLR Action NATO Handle

SmallRig 1955 Overview The versatile DSLR Action NATO Handle from SmallRig quickly mounts to a standard NATO rail to provide a balanced gripping point for your camera or camcorder. The handle features both forward-to-back and side-to-side adjustment to help balance your camera rig.

Additional features include two cold shoe adapters, multiple 1/4"-20 and 3/8"-16 threads, and two ARRI-style anti-twist accessory mounts.

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Canare CB05A Connector Boot for 75-Ohm BNC, RCA, F Crimp Plugs/Video Patch Cords (Blue)

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SmallRig HDMI/USB Type-C Right-Angle Adapter for BMPCC 4K Camera Cage

SmallRig AAA2700 Overview

This two-in-one HDMI/USB Type-C Right-Angle Adapter from SmallRig allows you to redirect both the HDMI and USB Type-C ports on your Blackmagic Pocket Cinema Camera 4K around the side of its camera cage or bracket to the back of the camera.

The formfitting adapter is molded from PVC with stainless steel components to precisely fit the ports on the 4K camera. It features HDMI and USB Type-C male plugs on the camera side and HDMI and USB Type-C female plugs on the other end. It mounts onto the cage or bracket using the included thumbscrew. An Allen wrench is included for tightening

. Note:

The adapter should not be used in damp conditions.

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BLACK IDENT NO. 0 - PACK OF 100

PA2/4 Video Cable Marker - Black Ident No.0 / Pack 100 Learn More

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Blackmagic Design DeckLink Quad HDMI Recorder Capture Card

Blackmagic Design Quad Overview Ingest high-resolution 4K video and audio for streaming or editing applications with the DeckLink Quad HDMI Recorder Capture Card from Blackmagic Design. The DeckLink Quad is a PCIe card that features four HDMI 2.0b inputs that provide support for resolutions up to DCI 4K60. Additionally, the DeckLink Quad supports eight channels of embedded 24-bit 48 kHz audio. The DeckLink Quad offers flexible format and system support, letting you work with popular compressed video formats such as ProRes, AVCHD, XDCAM, and DNxHD, as well as up to 12-bit uncompressed video. When working with uncompressed video, all images are pixel-for-pixel identical to the source, without any generational loss. This lets you get sharper keying with green screens, cleaner compositions, superior color correction, and more. Support for common file formats provides ready-to-edit files for use in popular editing, effects, and design software applications. The DeckLink Quad is compatible with Mac, Windows, and Linux based workstations. Drivers and utility software are available on the manufacturer's website. Learn More

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4K/HD Digital Recorder/Players

Recorder/Player

4K (2160p) ingest support (4K: 1 in 0 out mode)
4K (2160p) playback support (4K: 0 in 1 out mode)
4K (2160p) Key/Fill (Alpha) playback support (4K: 0 in 2 out Key/Fill mode) (Elite Plus, Pro Plus and Express Plus only)
HD (1080p) ingest and playback support (HD: 1 in 2 out mode, HD: 2 in 1 out mode)
HD (1080p) ingest support (HD: 3 in 0 out mode) (Elite and Pro only)
HD (1080p) playback support (HD: 0 in 3 out mode) (Elite and Pro only)
HD 2 channel synchronizes playback for key/fill rolls, edge blend displays, multiscreen and 3D applications
Chasing playback while ingesting (HD/SD)
Supports 720p to 1080p/i real-time crossconversion
Direct ingest to external media/storage device
Scheduled recording
Ancillary data recording and playback
E-to-E mode
Video monitor output and on-screen display

Import/Export

Native import/playback for most standard formats
Multicodec support (transcoding to Grass Valley HQX AVI) for most standard and broadcast formats
FTP transfer rate limited to maintain playback performance
Watch folder transfers
Export to Sony XDCAM drive (U1/U2)

Editing

Direct access to a media folder with EDIUS and the ability to edit a growing file — AVI (Grass Valley HQX) and MXF (Grass Valley HQX/XDCAM/Apple ProRes/Avid DNxHD) (Elite only)
Export a growing AVI (Grass Valley HQX) file via CIFS
Export a growing MXF (Grass Valley HQX/XDCAM/Apple ProRes/Avid DNxHR/Avid DNxHD) file via FTP/CIFS
Import from Final Cut Pro in QuickTime format using the free Grass Valley HQ codec for Mac onto an exFAT HDD
Convert and CIFS export from AVI (Grass Valley HQX) to MXF (Grass Valley HQX/XDCAM/Apple ProRes/Avid DNxHD) or MOV (Apple ProRes)

Front Panel

Easy-to-use front panel interface and jog/shuttle

Workstation

Workstation mode included as standard
Simple on-the-fly editing, including trimming, mark in/out, markers with comments, basic transition effects and insertion of placeholders for playlists
Transition effect (cross dissolve) when manually switching to another clip event in a playlist
Keyboard shortcuts and mouse customization on workstation

Remote

Synchronized playback using LTC input (Timecode chasing)
Synchronized playback for multiple T2s using GPI input/RS-422
Integration support for third-party control (BVW, GPIO and AMP)
Device
SDI embedded audio (8 channels)
Robust design — engineered to withstand punishing live event and mobile production environments
ASIO audio input/output support
2SI/SQD input/output via Quad 3G-SDI (Elite and Pro only)
Redundant power supply (Elite only)
Media card reader (Elite only) — SD, SD (UHS-II), CF, 2.5-inch SSD

Maintenance

Full data backup and restore feature
Monitoring using watchdog timer (Hardware/Software)

		T2 4K \| Elite		T2 4K \| Pro		T2 4K \| Express
		Plus	KTR4A-ELT-CV40	Plus	KTR4A-PRO-CV40	Plus	KTR4A-EXP-CV40
		KTR4A-ELT-CV00, KTR4-IO-CV80-KIT*¹		KTR4A-PRO-CV00, KTR4-IO-CV80-KIT*¹		KTR4A-EXP-CV00, KTR4-IO-CV80-KIT*¹
IO Mode		[4K] 1 in 0 out, [4K] 0 in 1 out, [HD/SD] 3 in 0 out², [HD/SD] 2 in 1 out², [HD/SD] 1 in 2 out, [HD/SD] 0 in 3 out*²				[4K] 1 in 0 out, [4K] 0 in 1 out, [HD/SD] 2 in 1 out*², [HD/SD] 1 in 2 out
Storage	System	M.2 SSD 64 GB
	Data	SSD 2 TB (RAID-0)		HDD 2 TB (RAID-0)
Power supply unit		Redundant PSU		Single PSU
Media card reader		SD, SD UHS-II, Compact Flash, 2.5-inch SSD bay		—
Supported capture formats		[4K/HD/SD] Grass Valley HQX (AVI, MXF), [HD/SD] Sony XDCAM (MXF)³, [HD/SD] Apple ProRes 422 (MXF)^2,3, [HD/SD] Avid DNxHD (MXF)*^2,3
4K DCI/4K UHD		60p, 59.94p, 50p, 30p, 29.97p, 25p, 24p, 23.98p				30p, 29.97p, 25p, 24p, 23.98p
HD 1080		60p, 59.94p, 50p, 59.94i, 50i, 30p, 29.97p, 25p, 24PsF, 23.98PsF, 24p, 23.98p				59.94i, 50i, 30p, 29.97p, 25p, 24PsF, 23.98PsF, 24p, 23.98p
HD 720		60p, 59.94p, 50p, 29.97p, 25p, 24p, 23.98p
SD		59.94i, 50i
SDI		SDI x8 (DIN 1.0/2.3)	SDI x4 (BNC)*⁴	SDI x8 (DIN 1.0/2.3)	SDI x4 (BNC)*⁴	SDI x8 (DIN 1.0/2.3)	SDI x4 (BNC)*⁴

*1 The “Plus” model must be built with the I/O Card Kit (SDI x8) installed into the T2 unit by a reseller in the field.

*2 Need to install the v3.4.0 firmware (or later).

*3 Only available in [HD/SD] 1 in 2 out mode.

*4 These are shared by input and output in 4K mode.

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Blackmagic Design ATEM Television Studio Pro HD Live Production Switcher

Designed for broadcasters and A/V professionals, Blackmagic Design's ATEM Television Studio Pro HD Live Production Switcher is an 8-input live production switcher with integrated control panel. Four of each HDMI and SDI inputs are available on the rear of the chassis, with both sets of inputs supporting SD and HD resolution from both professional and consumer cameras. The relatively small chassis fits in a standard equipment rack, allowing it to be installed on a sliding rack shelf or packed into a "fly-away-kit" for use on location. The control surface is replete with control buttons, knobs, and a fader bar. All this enables selecting camera inputs and controlling transitions, keyers, settings, and the DVE. Inputs and outputs are located on the rear of the unit. PGM output is available via SDI while multiview can be sent via SDI or HDMI. An AUX output lets you send video to an external display, which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups. Learn More

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Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. "Declicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 12" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.

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