Pro Video

Neutrik NBB75DFIX Overview Designed for high-resolution video transmission, the antraloy-plated UHD 4K/8K BNC Chassis Connector from Neutrik is a feed-through connector offering low return loss at high frequencies. It features a rugged, machined brass connector body that provides a non-abrasive connection for extended-term use and is recessed in a protective D-shape housing. Learn More

PA2/4 Video Cable Marker - Blue Ident No. 6 / Pack 100 Learn More

Blackmagic Design Micro Converter Overview Easily combine SDI and HDMI components in your video setup with the Micro Converter BiDirectional SDI/HDMI 3G from Blackmagic Design. This compact bidirectional converter can simultaneously convert SDI to HDMI and vice versa, even when using different standards, and it supports resolutions up to DCI 2K in SDI and 1080p60 in HDMI. It also offers camera control conversion for Blackmagic HDMI cameras like the BMPCC 4K or 6K, enabling you to use them with an SDI-based live switcher. The Micro Converter BiDirectional SDI/HDMI 3G features HDMI timecode support, SDI re-clocking for stability over long cable runs, support for a wide range of pro broadcast resolutions including cine-style 48 fps, and both HDMI and SDI embedded audio input and output. This pocket-sized converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. A USB Type-C port enables the BiDirectional SDI/HDMI converter to easily connect to and be powered by large-screen monitors, laptops, desktop computers, or projectors. You can also power this converter using the included 100-240 VAC power supply, complete with four international socket adapters. Learn More

Blackmagic Design ups the ante in compact cine-style capture with their Super 35 sensor Pocket Cinema Camera 6K. Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF/EF-S–mount lenses available. Turn to the BMPCC 6K to turn one frame into two by cropping a second shot from one frame, to upscale to 8K, or to simply capture rich, detailed footage with your favorite EF/EF-S–mount lens. The same internal color processing makes it easy to intercut BMPCC 6K with BMPCC 4K footage. Record using the internal CFast 2.0 and SD/UHS-II card slots or output via the USB-C port to capture longer clips to an external drive. The BMPCC 6K includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve. The compact BMPCC 6K retains the familiar controls and menu layout of the 4K version in a minimally deeper form to accommodate the EF lens mount. Features such as ISO support up to 25,600, 13 stops of dynamic range, 1920 x 1080 monitor output, and a bright 1920 x 1080 touchscreen 5" LCD are carried through from the BMPCC 4K as well. Professional audio support includes a mini XLR input with phantom +48V power and four built-in mics. Whether you're shooting an indie film, wildlife, or fashion, the BMPCC 6K's compact form is less intrusive than larger cameras, lending itself to more intimate setups. The BMPCC 6K is fashioned from a carbon fiber polycarbonate composite that is both lightweight and durable. Additional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the BMPCC 6K's internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve 16.1 to automatically sync your multicamera shots in post. In addition to the DaVinci Resolve Studio activation key, the BMPCC 6K comes with a power supply offering simultaneous battery charging, an LP-E6 battery, a lens port cap, and a camera strap. Learn More

The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

Standard length manual focus prime lens for EF mount cameras.

Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.

Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.

Internal focusing system with 9 lens elements in 6 groups.

One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.

Lens multi-coating improves light transmission and reduces flare and ghosting.

Minimum focus distance of 1.5' Filter thread diameter of 77mm

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Sony LMD-A170 Overview The Sony LMD-A170 17" LCD Production Monitor is a portable, 1920 x 1080 resolution monitor for on set, studio, and broadcast use. The monitor features an IPS LCD display with wide 178° horizontal and vertical viewing angles, and it provides 3G/HD/SD-SDI, HDMI, and composite inputs that support NTSC/PAL, 720p, 1080i, and 1080p input signals with frame rates from 24p to 60p. The monitor introduces several new features and upgrades from previous LMD series monitors, including a new low-latency automatic I/P conversion, a new video processing engine for improved image accuracy, on-screen tally, and yoke mounting screw holes. The monitor also provides a wide range of professional monitoring features. such as built-in waveform and vectorscope, focus assist with adjustable colored peaking, timecode display, and a Slog2 to Rec 709 LUT. A built-in audio decoder lets you display up to 16 channels of embedded SDI audio. Audio can be monitored using the 3.5mm headphone jack on the front panel, or with the 1W built-in speaker. A composite input with loop-through output provides connectivity for standard-definition analog devices and is paired with a 3.5mm stereo mini jack audio input. Two Ethernet ports provide connectivity for serial and parallel remotes; letting you control and load monitor settings via your network, as well as upgrade the monitor's software. For use in the field, there is a 12 VDC power input on 4-pin XLR. The monitor is compatible with standard VESA 100 x 100mm mounting hardware. Optional rackmount brackets are also available. Monitor feet and a handle are included. IPS LCD panel with 178°/178° viewing angles 1920 x 1080 native resolution Multi-format input signal support, NTSC/PAL, 1080i, and 1080p Frame rates from 24p to 60p Dual 3G/HD/SD-SDI inputs with active loop through HDMI input Composite input with loop-through out Slog2 to 709 LUT Multiple color gamut display (SMPTE C, EBU, ITU-R BT.709, and Native) Internal waveform monitor with zoom and line select features Internal vectorscope with zoom Focus assist with adjustable colored peaking EIA/CEA 608 and 708 digital closed caption decoder Timecode display Seven assignable function buttons Ethernet and parallel remote control Embedded audio decoding and display 16-channel audio monitor for SDI input 3.5mm stereo mini jack audio input Front-panel 3.5mm headphone jack Lighted control panel 12 VDC power input Double-coated paint finish Optional rackmount brackets Learn More

• 144Wh Lithium-Ion Battery
• Supports up to 10A Continuous Draw
• 12A Peak Draw for 5 Seconds
• LCD Battery Capacity Gauge
• D-Tap and USB Accessory Ports

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SmallRig DBM2266B Overview

Mount your Blackmagic Pocket Cinema Camera 6K or 4K camera or cage onto a shoulder rig, tripod, or 15mm rod system with this 501PL-Compatible Baseplate from SmallRig.

The top of the aluminum baseplate features a Manfrotto 501PL-compatible quick release plate that provides 1/4"-20 and 3/8"-16 mounting screws. The middle of the baseplate is a standard 15mm LWS rod clamp that secures to a rod system with thumbscrews. The bottom of the mount fits onto any standard ARRI-style dovetail mount, and there are also 1/4"-20 and 3/8"-16 mounting threads on the bottom for additional mounting options. An Allen wrench is included for the adjustment of thumbscrew tension.

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• Supports 3G-Ready HD-SDI Signals
• DVJB-W 75 Ohm Dual Video Jacks
• Rotary Switch Technology
• Normal Through Signal Routing
• Uses VPC Series Patch Cords

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